I concede that I am incapable of negative capability. As far out into the eternity of space as my whimsical imagination can carry me, there is a primal, voracious desire to know - to quantify and qualify. But perhaps I make a poor case with regard to my imaginative faculty, for even in its convoluted, fantastic profundity it finds the source of its conjurations in the establishment that is the Self. By virtue of being extant as a product of the Self, it is thereby defined and hence explained. Therefore, the conception of the Imagination has been subjugated by reason as well, insofar as it is perceived in exclusion, by an observer without. That is to say, imagination as a discrete whole is explicable, but its wondrous workings and capacity to create ex nihilo remains steeped in archaic mystery.
The Principle of Sufficient Reason propounds the notion that for every single fact (phenomena, states etc.) and being (animate and inanimate) there exists a reason or cause which explains its existence. In short, and in common-speak, to everything there is a reason. Nonetheless, within these girdled bounds of reason, there is a delineated fissure that divorces the empirical from the rational, the former of which would compel one to invoke the question of the limited potency of the human experience. Can that which is observed explained by virtue of its apparent existence? Say, we substantiate the existence of a rock by employing the affirmative power of our sensation and perception - I see the rock, therefore it is. Considering the converse, it follows that if I fail to see the rock, it does not exist, which obviously wouldn't be a very prudent conclusion. Even if we fail to see the rock because it has been relocated, we understand that its existence is indubitable. Perhaps here, you observe that awareness has engendered reason not to take at face value that which is considered apparent.
At this point, I haven't got a clue as to what my thesis is. In fact, I'm not even certain if any of this is relevant to the fact that I have unwittingly reprised the role of the self-doubting architect, who after the painstaking planning of his masterpiece, takes an inward turn and plunges into the abyss of variability within - the antithesis to the invariable structures without. He has established a vast, concrete network of scaffolding that encompasses his vulnerable being, and unbeknownst to him is the vacillating vortex that rages beneath those tenuous walls of flesh.
At times I find myself more frustrated with my frustration at some resistance in the assimilation of material, than the resistance itself.
